Exercises around shades, the own and the projected ones.

Complementarity without absolutes.

Sobriety towards depth.

The printed pieces are made by mixed procedures, using pencil and paper, as well as a scanner and a printer. A dialogue between the human and the machine gesture, testing errors and perpendicularity. The artist proposes a mechanized expression, and the machine, as a tool of luck, dictates how it will derive. All the compositions chase minimalism, through the accumulation of textures.

The folded papers make use of the ambient light to transfer the shadow of the paper (which already contains a represented shadow) to the white wall. That way, the piece merges with the space that holds it, and the concept transcends beyond the work itself.